Io di più non posso darti

Non sono che quello che sono.

Ah, come vorrei essere

sabbia, sole, in estate!

Che tu ti distendessi

riposata a riposare.

Che andando via tu mi lasciassi

il tuo corpo, impronta tenera,

tiepida, indimenticabile.

E che con te se ne andasse

sopra di te, il mio bacio lento:

colore,

dalla nuca al tallone,

bruno.

Ah, come vorrei essere

vetro, tessuto, legno,

che conserva il suo colore

qui, il suo profumo qui,

ed è nato tremila chilometri lontano!

Essere

la materia che ti piace,

che tocchi tutti i giorni,

che vedi ormai senza guardare

intorno a te, le cose

- collana, profumi, seta antica -

di cui se senti la mancanza

domandi: “Ah, ma dov’è?”

Ah, e come vorrei essere

un’allegria fra tutte,

una sola,

l’allegria della tua allegria!

Un amore, un solo amore:

l’amore di cui tu ti innamorassi.

Ma

non sono che quello che sono

Pedro Salinas

                                             

                                             Arnold Newman

Newman returned to Florida in 1942 to manage a portrait studio in West Palm Beach. Three years later he opened his own business in Miami Beach. In 1946, Newman relocated to New York, opened Arnold Newman Studios and worked as a freelance photographer for Fortune, Life, and Newsweek.

Newman found his vision in the empathy he felt for artists and their work. Although he photographed many personalities — Marlene Dietrich, John F. Kennedy, Harry S. Truman, Piet Mondrian, Pablo Picasso, Arthur Miller, Marilyn Monroe, Ronald Reagan and Mickey Mantle — he maintained that even if the subject is not known, or is already forgotten, the photograph itself must still excite and interest the viewer.

Newman is often credited with being the first photographer to use so-called environmental portraiture, in which the photographer places the subject in a carefully controlled setting to capture the essence of the individual's life and work. Newman normally captured his subjects in their most familiar surroundings with representative visual elements showing their professions and personalities. A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene.

"I didn't just want to make a photograph with some things in the background," Newman told American Photo magazine in an interview. "The surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it had to be an interesting photograph. Just to simply do a portrait of a famous person doesn't mean a thing."

Newman's best-known images were in black and white, although he often photographed in color. His black and white portrait of Igor Stravinsky seated at a grand piano became his signature image, even though it was rejected by the magazine that gave the assignment to Newman. He was one of the few photographers allowed to make a portrait of the famously camera-shy Henri Cartier-Bresson.

Among Newman's best-known color images is an eerie portrait that shows convicted former Nazi slave labor boss Alfried Krupp in one of Krupp's factories. Newman taught photography at Cooper Union for many years. He was recovering from a stroke when he died at Mt. Sinai Medical Center, New York.

L'Amore non è pretendere ma dare ...è dimenticarsi
ma non dimenticare ...è vivere fuori di sè pur
rimanendo in sè ...
L'Amore è lottare ed avere coraggio ...è condividere
gli stessi sogni e desideri ...è guardare insieme nella
stessa direzione...
L'Amore è magia ...è il sogno che si mischia con
la realtà ...è non abbandonare mai l'altro al proprio
destino ...
L'Amore è riservarsi le spine ed offrire le rose ...
L'Amore chiede tutto e può permettersi di farlo ...




L'amore è qualcosa di raro...
Quando lo incontri senti una stretta al cuore...
piangi per la felicità...
non riesci a parlare, ti manca il respiro...
Quando vedi lui ti batte forte il cuore...
sei impacciata e hai un chiodo fisso...
un unico pensiero...
Si può amare anche solo per un attimo...
Un attimo sincero basta a renderci indivisibili per l'eternita...

Non respingere i sogni perchè sono sogni.
Tutti i sogni possono
essere realtà,se il sogno non finisce.
La realtà è un sogno. Se sogniamo
che la pietra è pietra,questo è pietra.
Ciò che scorre nei fiumi non è acqua,
è un sognare,l'acqua,cristallina.
La realtà traveste
il sogno,è dice:
"Io sono il sole,i cieli,l'amore".ù
Ma mai si dilegua,mai passa,
se fingiamo di credere che è più che un sogno.
E viviamo sognandola.
Sognare è il mezzo che l'anima ha
perchè non le fugga mai
ciò che fuggirebbe se smetessimo
di sognare che è realtà ciò che non esiste.
Muore solo
un amore che ha smesso di essere sognato
fatto materia e che si cerca sulla terra.
Pedro Salinas

                                             Sophia Loren

Loren was born Sofia Villani Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934 to Riccardo Scicolone and Romilda Villani. Riccardo refused to marry Romilda, leaving her, a piano teacher and aspiring actress, without support. Romilda, Sofia and sister Maria returned to Pozzuoli, near Naples, to live with Sofia's grandmother in order to survive.

During World War II, the harbor and munitions plant in Pozzuoli was a frequent bombing target of the allies. During one raid, as Sofia ran to the shelter, she was struck by shrapnel and wounded in the chin. Subsequently the family moved to Naples and begged distant relatives to take them in.

After the war, Sofia and her family returned to Pozzuoli. Grandmother Luisa opened their living room as a pub, selling homemade cherry liquor. Romilda played the piano, Maria sang and the shy Sofia waited tables and washed dishes. The place was very popular with the American GIs stationed nearby.

When she was 14 years old, Sofia entered a beauty contest in Naples and, while not winning, was selected as one of the finalists. Later she enrolled in acting class and was selected as an extra in the Mervyn LeRoy film, Quo Vadis, thus launching her career as a motion picture actress. She would eventually change her name to Sophia Loren.

Loren first met Carlo Ponti in 1950 during a beauty contest in which he was a judge. Having helped launch Gina Lollobrigida's career, he had Loren do many small parts. Later, while in Atlanta in 1957, he had lawyers obtain a Mexican divorce from his wife Giuliana and a marriage by proxy to Loren. Italy did not recognize divorce at the time, and the Catholic Church denounced their marriage. In 1962 the marriage was annulled. After this he arranged with Giuliana that the three of them move to France which at that time allowed divorce and they became French citizens. In 1965 Giuliana Ponti divorced her husband, allowing Ponti to marry Loren in 1966 in a civil wedding in Sèvres.

Mother of Carlo Ponti Jr. and Edoardo Ponti. Edoardo Ponti married with actress Sasha Alexander in Geneva, Switzerland, they have a daughter Lucia Sofia, born May 12, 2006.

By the late 1950s, Loren's star had begun to rise in Hollywood, with films such as 1957's Boy on a Dolphin and The Pride and the Passion in which she co-starred with Cary Grant and Frank Sinatra. Grant, reportedly, fell so deeply in love with Loren that he ardently proposed marriage, despite her obvious loyalty to Carlo Ponti and Grant's own union with actress and writer Betsy Drake. Loren refused.

Loren became an international film star with a five-picture contract with Paramount Pictures. Among her films at this time: Desire Under the Elms with Anthony Perkins, based upon the Eugene O'Neill play; Houseboat, a romantic comedy co-starring Cary Grant; and George Cukor's Heller in Pink Tights in which she appeared with blonde hair (a wig) for the first time. Loren demonstrated considerable dramatic skills and attracted respect as a dramatic and comedic actress, especially in Italian projects where she could express herself more freely, although she acquired great proficiency in English.

In 1960, Loren's acclaimed performance in Vittorio De Sica's Two Women earned many awards, including the Cannes, Venice and Berlin Film Festivals' best performance prizes. Her performance was also awarded an Academy Award for Best Actress, the first major Academy Award for a non-English-language performance. Initially, the stark, gritty story of a mother and daughter surviving in war-torn Italy was to cast Anna Magnani as Sophia's mother. Negotiations, perhaps due to billing, broke down and the screenplay was rewritten to make Loren the mother; Eleonora Brown portrayed the daughter.

Belying the typical portrayal of the beautiful actress as vacuous and emptyheaded, Loren was known for her sharp wit and insight. One of her most frequently-quoted sayings is her quip about her famously-voluptuous figure: "Everything you see, I owe to spaghetti."

During the 1960s, Loren was one of the most popular actresses in the world, and she continued to make films in both the U.S. and Europe, acting with leading male stars. In 1964, her career reached its zenith when she received $1 million to act in The Fall of the Roman Empire.

Among Loren's best-known films of this period are Samuel Bronston's epic production of El Cid (1961) with Charlton Heston, The Millionairess (1960) with Peter Sellers, It Started in Naples with Clark Gable (1960), Vittorio De Sica's triptych Ieri, oggi, domani (1963) with Marcello Mastroianni, Peter Ustinov's Lady L (1965) with Paul Newman, the 1966 classic Arabesque with Gregory Peck, and Charlie Chaplin's final film, A Countess from Hong Kong (1967) with Marlon Brando.

Despite the failure of many of her films to generate sales at the box office, Loren has an impressive roster of credits and work with famous co-stars. Invariably, she has turned in a charming performance and worn some of the most lavish costumes ever created for the movies. Some of her most attractive performances include A Breath of Scandal (1960), Madame Sans-Gêne (1962), Heller in Pink Tights (1960) and More than a Miracle (1967).

Loren also recorded well over two dozen songs throughout her career, including a best-selling album of comedic songs with Peter Sellers; reportedly, she had to fend off his romantic advances. It was partly owing to Sellers' infatuation with Loren that he split with his first wife, Anne Howe. Loren has made it clear to numerous biographers that Sellers' affections were reciprocated only platonically. This collaboration was covered in The Life and Death of Peter Sellers where actress Sonia Aquino portrayed Loren. It is said that the song Where Do You Go To (My Lovely) by Peter Sarstedt was inspired by Loren.

Once she achieved motherhood, Loren worked less. She moved into her 40's and 50's with roles in films including the last De Sica movie, The Voyage, with Richard Burton and Ettore Scola's A Special Day with Mastroianni.

In 1980, Loren portrayed herself, as well as her mother, in a made-for-television biopic adaptation of her autobiography. Actresses, Ritza Brown and Chiara Ferrari played Loren at younger ages. She made headlines in 1982 when she served an 18-day prison sentence in Italy on tax evasion charges, a fact that didn't damage her career or popularity.

In her 60s, Loren became selective about choosing her films and ventured into various areas of business, including cook books, eyewear, jewelry and perfume. She also made well-received appearances in Robert Altman's Ready to Wear and the 1995 comedy Grumpier Old Men playing a femme fatale opposite Walter Matthau and Jack Lemmon.

In 1991, Loren received the Academy Honorary Award for her contributions to world cinema and was declared "one of the world cinema's treasures." In 1995, she received the Golden Globe Cecil B. DeMille Award.

In 1993, Loren presented Federico Fellini with an Academy Honorary Award. In 1998, she presented the Academy Award for Best Foreign Language Film for Roberto Benigni's Life Is Beautiful.

Loren, at the age of 72, appeared in the 2007 Pirelli Calendar entitled "A Bed and Five Stories" along with Hillary Swank, Penelope Cruz, Naomi Watts, and Lou Doillon.

Loren is a huge fan of the football club S.S.C. Napoli. In May 2007, when the team was third in Serie B, she told the Gazzetta dello Sport that she would do a striptease if they achieved promotion to Serie A for the 2007/08 season. "The fans have a total passion, the city deserves promotion", Loren said. Although they achieved promotion to Serie A on 10 June 2007, Loren did not do a striptease.

Loren's eyes can be found on the Italian wine Fattoria Paradiso bottles.